{"id":3879,"date":"2023-01-25T09:40:39","date_gmt":"2023-01-25T09:40:39","guid":{"rendered":"http:\/\/cultures.hautsbassins.bf\/?p=3879"},"modified":"2023-04-30T12:25:30","modified_gmt":"2023-04-30T12:25:30","slug":"semeta-zie","status":"publish","type":"post","link":"https:\/\/cultures.hautsbassins.bf\/index.php\/2023\/01\/25\/semeta-zie\/","title":{"rendered":"S\u00e9m\u00e9ta ZIE"},"content":{"rendered":"\n<p>Artiste Com\u00e9dienne <\/p>\n\n\n\n<p>ZIE S\u00e9m\u00e9ta fit ses premiers pas dans l\u2019univers th\u00e9\u00e2tral en 1995 &nbsp;avec TRACES THEATRE de Bobo-Dioulasso. Elle s\u2019est professionnalis\u00e9e sous la houlette de formateurs de renom comme Jack RECH, Mamadou TAPSOBA, Baptiste JAMONNEAU, Luca G. M. FUSI, Ariane SCHARF et A\u00efssa MA\u00cfGA (en jeu d\u2019acteur ) et &nbsp;Hassane Kassi KOUYATE, Augusta PALENFO et Halima NIKIEMA (en mise en sc\u00e8ne). &nbsp;Sur sc\u00e8ne, elle s\u2019est illustr\u00e9e \u00e0 travers des pi\u00e8ces telles que : \u00ab Faux d\u00e9part \u00bb de Jack RESCH, \u00ab Je t\u2019appelle de Paris \u00bb, \u00ab Douroudimi \u00bb, \u00ab La d\u00e9rive de Talamabere \u00bb et \u00ab La trilogie de Boulaye \u00ab de Moussa SANOU, Conte th\u00e9\u00e2tralis\u00e9 \u00ab Chaka Zoulou \u00bb de BAMOGO Joseph et TRAORE Arouna, \u00ab Murs transparents \u00bb, \u00ab Baiser d\u2019adieu \u00bb, \u00ab Bienvenue \u00e0 la morgue \u00bb, \u00ab&nbsp;Le Soupir de la conscience \u00bb de OUATTARA Mamadou (Djosso), \u00ab Moi Femme \u00bb avec l\u2019Association F\u00e9minine Education Arts et D\u00e9veloppement.<\/p>\n\n\n\n<p>Elle prit part \u00e0 la r\u00e9alisation des films suivants : \u00ab Halte ts\u00e9-ts\u00e9 \u00bb de Andr\u00e9 BOUGOUMA, \u00ab La moustiquaire de Christio \u00bb de Cinomade, \u00ab A l\u2019ombre de la passion \u00bb de No\u00ebl BAMBARA, \u00ab La loi de Mo\u00efse \u00bb de Drissa TOURE, \u00ab Succession \u00bb S\u00e9rie TV de Sarmab\u00e9 B. Armand, \u00ab Paati Sankana \u00bb de Moussa KABORE, en tant qu\u2019actrice et costumi\u00e8re, \u00ab Takami \u00bb de Daniel Kolo SANOU en tant que costumi\u00e8re, le \u00ab Film documentaire \u00bb de God\u00e9on Vink (Selm film), \u00ab Djugu, le mal de l\u2019ombre \u00bb de Omar DAGNON, \u00ab un Monde sans fin \u00bb de LINGANI Herv\u00e9 Eric Rachid, en tant qu\u2019actrice.<\/p>\n\n\n\n<p>L\u2019artiste com\u00e9dienne s\u2019est \u00e9galement faite connaitre \u00e0 l\u2019international sur des sc\u00e8nes lors des festivals comme : Emergence (Niamey), le Festival du sahel (Bordeaux), le Festival des r\u00e9alit\u00e9s (Bamako).<\/p>\n\n\n\n<p><a href=\"https:\/\/m.facebook.com\/semeta.zie\/\">https:\/\/m.facebook.com\/semeta.zie\/<\/a><\/p>\n\n\n\n<p>Adresses&nbsp;: (00226) 76 60 04 30\/<\/p>\n\n\n\n<p>Email&nbsp;: semetaz10@gmail.com <\/p>\n","protected":false},"excerpt":{"rendered":"<p class=\"text-justify mb-2\" >Artiste Com\u00e9dienne ZIE S\u00e9m\u00e9ta fit ses premiers pas dans l\u2019univers th\u00e9\u00e2tral en 1995 &nbsp;avec TRACES THEATRE de Bobo-Dioulasso. Elle s\u2019est professionnalis\u00e9e sous la houlette de formateurs de renom comme Jack RECH, Mamadou TAPSOBA, Baptiste JAMONNEAU, Luca G. M. FUSI, Ariane SCHARF et A\u00efssa MA\u00cfGA (en [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":3880,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[31],"tags":[],"_links":{"self":[{"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/posts\/3879"}],"collection":[{"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/comments?post=3879"}],"version-history":[{"count":2,"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/posts\/3879\/revisions"}],"predecessor-version":[{"id":4291,"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/posts\/3879\/revisions\/4291"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/media\/3880"}],"wp:attachment":[{"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/media?parent=3879"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/categories?post=3879"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cultures.hautsbassins.bf\/index.php\/wp-json\/wp\/v2\/tags?post=3879"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}